Ceramics Art Essay Example | Topics and Well Written Essays - 1000 words

Ceramics Art - Essay ExampleThe colours move into each other in delicate swirls from greens, browns, blues and turquoise to blackens, whites, beige and mustard. A small spout with brown and pale turquoise glaze is placed on one case of the pot, and a dome shaped lid in shades of brown fits in snugly. A tiny turquoise handle with a minuscule black button is at an angle to the spout, and extrudes out of the appear. The entire egg shape tapers down to a very tiny black foot.The irreducible essence of a teapot is its function, in terms of cultural and human ritual terms. By taking away from this teapot its utility, Swindell does not add a conceptual dimension, or vestigial elements to indicate a different meaning, in the manner of poststructural art, where the lack of function shapes a metaphor for something else in the artists dictionary. The teapot is still just a teapot, quaint, not functional, but definitely a teapot.This teapot is indeed an example of organic art, in a class o f its own. Far removed from post-modern jargon and innuendoes, its expressive criteria are not in line with the deconstructive and discursive atmosphere of contemporary arts practice. As Bernard Kerr says, By overly conceptualising our work we run the risk of losing the special somatic and sensual qualities that make the ceramic arts unique and special.(Kerr, 2005). When viewing Swindells work the correct questions to ask would be whether it is a beautiful, nostalgic piece of evanescence made tangible. Swindell seems to capture the volatile charm of record in this piece, which emerges with new, subtle meanings every time you look at it. Though out time potters have sought to create man made ceramic forms, which echo the sensibilities of nature, sometimes by mimicking nature or through stylisation and abstraction. The history of ceramics is filled with organic masterpieces. (Thames & Hudson, 2001)It does not have enforced explicit and downstairslying narratives, and it exists no t to faithfully portray the tragedies of existence but seeks to alleviate them through beauty in art. As he himself puts it, Although political and cultural statements have become forgeable with visual artists I do not make work with a conscious message, preferring to deal with the abstract qualities of Art.(Swindell, 2005)To me it is a piece that seems to shift under the eye, to ripple and move if I look at it long enough, and I want to pick it up to trace its contours to assure myself it is real. Its structure is engineered and precise, but the surface and colours bring back memories of sandy beaches, worm casts, patterns seen on sand, and lulling waves. This marriage of the man-made and indispensable has evolved over time, as some of his earlier exhibits have to a fault exuded similar qualities His vision is much broader than the size of the work initially suggests. He brings together shapes, motifs and surface qualities that simultaneously manage to be evocative of both the na tural and man made worlds. (Jeffery Jones, 2003)Tea and teapots have been a comforting part of our culture ever since they were introduced in England. A teapot evokes warmth, security and reassurance, and the diminutive size reinforces this note of intimacyTeapots traditionally belong in a familiar domestic environment, where potters have always had a significant role in reflecting social fashion and culture by providing ware for